It may not have the nuance of “The People vs. Some of Murphy and writing partner Brad Falchuk’s writing decisions don’t always work, but this is a propulsive, incredibly watchable show, not really pulling the curtain back on a story you already know but turning that story into high drama, filled with fantastic performances. President, highlighting how American politics intertwined with personal issues to captivate the world. And Murphy definitely takes that approach to reshaping the narrative around Monica Lewinsky, the blue dress, and the toppling of a U.S. and never went home the quest for fame and recognition that led to the murder of a fashion icon-they could only happen here. Simpson, Gianni Versace, and Monica Lewinsky that feels distinctly “American.” The circus of media that basically put up its tents around O.J. There’s something embedded in the stories of O.J. However, Murphy isn’t just casually drawing a line to his hit “American Horror Story” series. It’s become trendy to tack the word “American” onto dramatic titles to signify importance- this has something to say about our country-and the over-use of it has kind of backfired in a way that often indicates hollow pretension more than quality. Watching Ryan Murphy’s latest chapter in his “American Crime Story” anthology series, I was struck by his use of that first word.
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